Thursday, May 16, 2013

Is Truth Stranger than Fiction?

by Elizabeth Porter Birdsall

It's been said often enough to become clich̩: truth is stranger than fiction. But when we write about aliens and magic and strange creatures from beyond the abyss, it's sometimes easy to doubt that. Of course, fiction has to follow an internal story-logic in a way real life doesn't, but surely the real world Рthis boring, everyday world where we go to school and pay our bills and trudge along the same streets day in and day out Рdoesn't have a patch on what we can come up with in our flights of imagination.

The human imagination is a wonderful, expansive, glorious thing. I mean no insult to it at all when I say that I respectfully disagree with the notion that we can come up with things stranger than the universe already has. What is imagination, after all, but another way to look at the world around us? A way to reshape the world, to draw one thing out of focus so we can get a different, better view on something else? And that world is full of bizarre marvels.

When I'm looking for ideas for a story, one of the first things I do is look to nature. It's probably obvious that I did that for my story "Convergent Motion," which takes place among sea slugs at the bottom of the sea. (And all the weirdest bits, except the starting conceit of bodiless spirits, come straight from fact.) But a story doesn't have to be set among hydrothermal vents to draw on the strangeness of the world. Speculative fiction explores the corners of the universe, and the what-ifs that might live there. That can mean the edges of the galaxy, or your own backyard; it can mean the crushing depths of the sea, or the overlooked cracks in the sidewalk. Writers and artists are among the people who stop, and look closer, and look again. We study, and we dream, and then we transform what we've studied into what we've dreamed about.

Of course, that doesn't mean that the job of speculative fiction (or any fiction) is simply to talk about the strange bits of the world exactly as they are. That wouldn't be much speculation, for one thing, but more importantly it wouldn't be much fiction. One of the important jobs of fiction, in my opinion, is to take something outside the reader – whether it's the bottom of the sea or the thoughts in their next-door neighbor's head – and make that something seem close and comprehensible and important. Speculative fiction tries to look to farther shores and wider vistas, but the principle is the same.

Truth is stranger than fiction? All right, sure. But that's the beauty of it. Because fiction arises from truth, and opens a window onto it; that's the whole point of speculation.

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